Reviews now on YouTube! | Watch here

Larsen On Film

  • Review Library
  • Subscribe
  • Why I’m Wrong
  • About
  • Books

Dr. Strangelove

Stanley Kubrick’s pitch-black comedy about nuclear apocalypse, first released in the midst of the Cold War paranoia of 1964, is still shocking in its giggly nihilism, surely meant to mirror the insanity of the mutually assured-destruction policy employed by the United States and the Soviet Union at the time. Post Iraq, what feels more topical is the depiction of America chomping at the bit to go to war, especially as personified by George C. Scott’s
growling general. Much is made of Peter Sellers’ comic triple play – he takes on the title character, the U.S. president and a visiting British officer – but it’s Scott who embodies the movie’s bug-eyed lunacy. As his pilots, flying under mistaken orders, speed towards Russia with their nuclear payloads, the general can’t help rooting for them, even if it ultimately means global annihilation. Most of the rest of Kubrick’s gags are smart but over-staged – like jokes that have been memorized by the brightest kid in class. From his use of a phallic cigar to the final scene of mushroom clouds blossoming to the tune of “We’ll Meet Again,” Kubrick fusses over his punch lines so much the humor often feels airless.

Recent Reviews

Friendship (2025)

Comedy Rated R

“… amusingly examines the particular peculiarities of men trying to bond.”

Mission: Impossible — The Final Reckoning (2025)

Action/Adventure Rated PG-13

“… fumbles its own legacy, largely by believing it had one in the first place.”

Yojimbo (1961)

Comedy Rated NR

“Although swords strike and blood flows, Yojimbo mostly registers as a comedy.”


Search Review Library

Sponsored by the following | become a sponsor



SUBSCRIBE


Sign up to receive emails

Sign up to get new reviews and updates delivered to your inbox!

Please wait...

Thank you for signing up!




FOLLOW ONLINE



All rights reserved. All Content ©2024 J. Larsen
maintained by Big Ocean Studios

TOP