An accomplished, if distant, period drama, as well as director Sam Mendes’ follow-up to American Beauty. With its hushed performances, stately visuals and lush production design, this tale of a Prohibition-era hit man (Tom Hanks) struggling to connect with his 12-year-old son (Tyler Hoechlin) puts its hands on its hips and dares you to call it anything but a masterful movie. Here is a shining example of distinguished Hollywood craftsmanship, the filmmakers seem to be saying. All we can do is agree and go home.
