“Perry … draws out one of Schwartzman’s most human performances.”

“…wonders if we’re headed toward a world in which efficiency is valued above all else – at the expense of relationships, art, even meaning.”

“…a bitterly dark comedy whose aim is uncomfortably true.”

“A humorless, self-deluded bore.”

“…Gleeson and writer-director John Michael McDonagh are in lock step in characterizing the decidedly unorthodox Gerry Boyle.”

“Tammy, like McCarthy’s other films, wants its lessons to be real, and learned.”

“…purposefully pushes the cliches of the romantic-comedy genre one step beyond their usual inanity.”

“…utterly confused over what to do with McCarthy as a physical comedienne.”

“As a dramatization of the immigration experience, the movie is hardly lighthearted – especially considering Chaplin’s reputation as a sentimentalist.”