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Tag: Comedy

Drillbit Taylor (2008)

Comedy Rated PG-13

“During the final showdown, there is almost as much teen pummeling going on as in Never Back Down. Unfortunately, Never Back Down was funnier.

Tyler Perry’s Meet the Browns (2008)

Comedy Rated PG-13

“Tyler Perry’s Meet the Browns isn’t exactly a good movie, but it is a good Tyler Perry movie

Miss Pettigrew Lives for a Day (2008)

Comedy Rated PG-13

“Amy Adams’ Delysia is a whirling dervish of deceit. And yet, thanks to Adams’ beaming smile, she’s still sweet.

Witless Protection (2008)

Comedy Rated PG-13

Did someone give a starring role to a Matador, one of the obese male cheerleaders who perform during time outs at Chicago Bulls’ games? One would be forgiven for mistaking Larry the Cable Guy – also known as Dan Whitney – for a Matador in Witless Protection, a farce built entirely around his repulsiveness. Like

Be Kind Rewind (2008)

Comedy Rated PG-13

“…makes you nostalgic for the early days of backyard moviemaking, before digital video cameras and desktop editing software turned everyone into mini-Spielbergs.

Charlie Bartlett (2008)

Comedy Rated R

“It’s not much of a movie, but it is an impressive calling card for the young star.

Welcome Home Roscoe Jenkins (2008)

Comedy Rated PG-13

“You can often gauge how desperate a comedy is by the number of attacking animals it features.

Meet the Spartans (2008)

Comedy Rated PG-13

"…frequently pauses to shower someone with vomit, pus, urine or excrement. It should be called Meet the Bodily Fluids."

Fool’s Gold (2008)

Comedy Rated PG-13

“McConaughey bravely rips off his shirt, throws himself in front of the women and selflessly absorbs the camera’s leers.

First Sunday (2008)

Comedy Rated PG-13

“…isn’t really funny until it turns sentimental at the end.

Recent Reviews

Weapons (2025)

Horror Rated R

“ The Pied Piper was on my mind throughout Weapons…”

Sunset Boulevard (1950)

Drama Rated NR

“… the quintessential backstage Gothic noir.”

Heartburn (1986)

Drama Rated R

“The audience is never fully let in on either character’s interior life, as we skip from incident to incident.”


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