Drama Rated R
“Jolie is a force here, though Winterbottom manages to keep her contained within his picture’s documentary style.
Drama Rated PG-13
“Streep and Redgrave only have one scene together … yet it captures every note of longing and regret that the rest of the movie should have hit.
One of those low-budget experiments Soderbergh likes to squeeze in between Ocean’s Eleven projects, this means to take a peek at a corner of America Hollywood usually stays away from: the poor, the unattractive, the Midwestern. Set in Ohio and featuring a nonprofessional cast from the area, Bubble centers around the odd friendship between an
The story of a drug-dealing military clerk (Joaquin Phoenix) at a poorly disciplined U.S. base in 1989 West Germany, Buffalo Soldiers was long delayed out of fear it would be deemed too unpatriotic during wartime. If only it were unpatriotic – that would have been infinitely more interesting than the wishy-washy, morally skittish movie we
“…works overtime to prove its artistic bona fides.”
Drama Rated NR
This big-screen version of the cult Japanese television series takes its stylistic cue from its hero: a pathologically bored, futuristic bounty hunter who treats everyone as if he is a 15-year-old and they are his lame parents. That and the eclectic soundtrack lend an atmosphere of carefully cultivated cool to the otherwise familiar anime elements:
Drama Rated PG
Director Gillian Armstrong combines a documentary-like feel with the elegance of a period piece in this adaptation of the beloved Louisa May Alcott novel about four daughters and their mother (played at different ages by Susan Sarandon, Winona Ryder, Claire Danes and Kirsten Dunst, among others). The result makes you feel like a fifth sibling
All statement, all speech, all display, this third feature from writer-director John Singleton is a frustrating fizzle, especially considering the promise of his Boyz N the Hood. As we see college life through the eyes of three freshmen – a naïve white sorority type (Kristy Swanson); a black athlete (Omar Epps); and a racist loner
Marion Cotillard undergoes an amazing physical transformation to portray legendary French singer Edith Piaf. By the end, when alcohol and drug abuse have reduced Piaf’s body to wreckage, the young actress looks like Gollum. Emotionally, Cotillard portrays Piaf as a blunt instrument – not unlike her blaring voice, which can feel as if it’s literally
“Faye Dunaway devours this movie.”