Drama Rated PG-13
"Witnessed in a vacuum, free of the adulation that has more to do with Streep’s reputation than the film, her performance is a pleasure to watch."
Drama Rated NR
An insider exercise, Cold Weather plays with genre conventions and audience expectations as they relate to both the mumblecore movement and detective yarns. Director Aaron Katz (Dance Party, USA) takes a handful of typical indie characters – a stuck-in-a-rut sister and her aimless, live-in brother – and throws them into a mystery plot when the
Drama Rated R
There isn’t a character, location or situation in The Station Agent that could exist anywhere other than in a screenplay. Excruciatingly earnest and hopelessly contrived, this is the story of Finbar McBride, a reclusive, train-obsessed man with dwarfism (Peter Dinklage) who inherits an abandoned, small-town depot. Surrounded by batch of quirky characters, Finbar eventually learns
The scope managed by The Lives of Others, winner of the 2007 Oscar for Best Foreign Language Film, is especially impressive given that the movie is about a society obsessively focused on the tiniest of details. Set in 1984 East Berlin, Lives takes us into the operations of the state security service, or Stasi, as
“The puppet works.
Drama Rated PG
You can feel Terrence Malick drifting away in this follow-up to Badlands, his acclaimed debut. Narrative begins to tack a back seat to imagery and specificity is shunned in favor of vagueness. It’s an early sign of a unique sensibility devolving into mannerisms. Despite its amorphousness, Days of Heaven is built upon a simple, elemental
“…a thundering spiritual experience.”
There’s a tiny detail in Moon that nicely captures the unique experience of watching this tricky, twisty movie. The story is set on a lunar space station in which identifying signage appears on walls, equipment and so on. One particular note, stamped at the bottom of a ladder, caught my eye: “Mind step.” It’s a
Social upheaval has rarely looked so congenial. Made in Dagenham chronicles the 1968 struggle of female Ford employees at a British factory to earn the same pay as their male counterparts, but it does so in a tidy, cute-Brit way that undersells what must have been a harsh, hard-fought victory. All the anger has been
A bittersweet mix of merriment and melancholia from writer-director Mike Leigh, who seems to suggest that the right balance of those two elements can bring about something resembling contentment. The film centers around Tom and Gerri (Jim Broadbent and Ruth Sheen), a loving, in-love sixtyish couple whose home is a place of refuge for various